Subscribe | 订阅区

Please enter the password below! 请输入密码!

What is this?

 

 
MUCHUM
木川同名短片,影片中许多场景都在木川的家乡完成。2018年的暴雪席卷了包含上海等鲜有积雪的中国南方城市。强降雪的第二天,木川连夜赶往家乡,当时几乎所有航班、高铁等交通方式均面临瘫痪,但奇迹般的没有停运上海通往摄影师家乡的那趟班次,最终在严寒与等待中完成了雪景的分镜。

The eponymous film of Mu Chum, many scenes in the film are set in the hometown of Mu Chum. In 2018, snow covers many southern Chinese cities, including Shanghai. On the second day of the heavy snow, MuChum was on his way home. But many flights are closed and road traffic is at risk. Fortunately, the photographer still managed to get home. Finally, in the cold and waiting, the photographer captured the snow scene.

 
短片简介 | Film Synopsis
短片开头倒流的红色液体与气泡,是摄影师按下快门时脑海的碰撞;
树枝与人物剪影,是摄影师不被理解、不被接纳,如树枝错节内心苦苦的挣扎;
寒风刺进摄影师瘦弱的身躯,孤独、挣扎、怀疑中度过;
雪地里独自行走和湖泊前的大树,再一次突出摄影师不羁的态度,不随波逐流;
然后我们坚信,伞飞到摄影师手中开始,坚持会被接纳;
剪影的交错拉近配合音乐的不断变化,隐喻了摄影师会一直前进。

 
At the beginning of the film, the reflux of red liquid and bubbles is the idea in the photographer's mind, when he presses the shutter.
Tree branches and figures silhouettes are photographers who are not understood, not accepted, and struggle with cool hearts, such as branches interlaced.
The cold wind pierced the photographer's thin body. He was lonely, struggling, and suspicious.
The photographer walks alone in the snow and appears under the dead trees by the lake, and once again highlights the photographer's unruly attitude and does not follow the crowd.
Then we firmly believe, from the umbrella to the photographer, as long as we insist on being accepted.
The interlace of silhouette and the Angle of view close together with music change, metaphor the photographer will keep moving forward.


 
整部短片,昭示了许多艺术工作者与现世的隔阂,是摄影师内心的苦苦挣扎。曾几何时,我们忘记从什么时候,艺术家成为带有贬义的名词,为了世俗生活,我们不得不迎合他人的视觉表达。从而分化出:坚持自我艺术难以被认可的悲剧形象;坚持迎合而丢失自我的提线木偶。为了生存,我们有许多“不得不”,用这些“不得不”的收入去支撑纯艺术的表达与制作。
 
The short film, which indicates the contradiction between many artists and the society, reflects the struggle of the photographer.We forget when we started, "the artist" became a derogatory term. We have to cater to the demands of others for worldly life. Thus, some people become tragic figures because he always insists on himself. Some people always cater to other people's ideas, like a puppet. In order to survive, we have many "have to", only against ourselves, can become the self.


→ IGTV

 


 
Date of film release
08, MAY, 2018
 
Footage: 00:33
 
CAST | Cameraman | Producer
MuChum
 
Film Direction
MuChum
 
Dubbing | Cutter
Ken
 
Assistant Camera 
Yue
Pei Yu
Ye
 
 © All rights reserved.

 
 
MUCHUM
木川同名短片,影片中许多场景都在木川的家乡完成。2018年的暴雪席卷了包含上海等鲜有积雪的中国南方城市。强降雪的第二天,木川连夜赶往家乡,当时几乎所有航班、高铁等交通方式均面临瘫痪,但奇迹般的没有停运上海通往摄影师家乡的那趟班次,最终在严寒与等待中完成了雪景的分镜。

The eponymous film of Mu Chum, many scenes in the film are set in the hometown of Mu Chum. In 2018, snow covers many southern Chinese cities, including Shanghai. On the second day of the heavy snow, MuChum was on his way home. But many flights are closed and road traffic is at risk. Fortunately, the photographer still managed to get home. Finally, in the cold and waiting, the photographer captured the snow scene.

 
短片简介 | Film Synopsis
短片开头倒流的红色液体与气泡,是摄影师按下快门时脑海的碰撞;
树枝与人物剪影,是摄影师不被理解、不被接纳,如树枝错节内心苦苦的挣扎;
寒风刺进摄影师瘦弱的身躯,孤独、挣扎、怀疑中度过;
雪地里独自行走和湖泊前的大树,再一次突出摄影师不羁的态度,不随波逐流;
然后我们坚信,伞飞到摄影师手中开始,坚持会被接纳;
剪影的交错拉近配合音乐的不断变化,隐喻了摄影师会一直前进。

 
At the beginning of the film, the reflux of red liquid and bubbles is the idea in the photographer's mind, when he presses the shutter.
Tree branches and figures silhouettes are photographers who are not understood, not accepted, and struggle with cool hearts, such as branches interlaced.
The cold wind pierced the photographer's thin body. He was lonely, struggling, and suspicious.
The photographer walks alone in the snow and appears under the dead trees by the lake, and once again highlights the photographer's unruly attitude and does not follow the crowd.
Then we firmly believe, from the umbrella to the photographer, as long as we insist on being accepted.
The interlace of silhouette and the Angle of view close together with music change, metaphor the photographer will keep moving forward.

 

 
整部短片,昭示了许多艺术工作者与现世的隔阂,是摄影师内心的苦苦挣扎。曾几何时,我们忘记从什么时候,艺术家成为带有贬义的名词,为了世俗生活,我们不得不迎合他人的视觉表达。从而分化出:坚持自我艺术难以被认可的悲剧形象;坚持迎合而丢失自我的提线木偶。为了生存,我们有许多“不得不”,用这些“不得不”的收入去支撑纯艺术的表达与制作。
 
The short film, which indicates the contradiction between many artists and the society, reflects the struggle of the photographer.We forget when we started, "the artist" became a derogatory term. We have to cater to the demands of others for worldly life. Thus, some people become tragic figures because he always insists on himself. Some people always cater to other people's ideas, like a puppet. In order to survive, we have many "have to", only against ourselves, can become the self.


→ IGTV

 


 
Date of film release
08, MAY, 2018
 
Footage: 00:33
 
CAST | Cameraman | Producer
MuChum
 
Film Direction
MuChum
Ken
 
Dubbing | Cutter
 
Assistant Camera 
Yue
Pei Yu
Ye
 
 © All rights reserved.